Exploring the Intersection of Theology and Film: A Review of Clive Marsh & Gaye Ortiz’s Edited Volume
The Intersection of Film Studies and Theology: A New Frontier in Interdisciplinary Studies
In recent years, the blending of film studies and theology has emerged as a fascinating and fruitful field of exploration. With the release of a new volume edited by Clive Marsh and Gaye Ortiz, this intersection of two distinct disciplines is gaining even more attention and followers.
The contributors to this volume come from diverse backgrounds, including academics in film studies and theology, as well as those involved in parish ministry and evangelism. This wide range of perspectives highlights the broad appeal and interest in the subject. From evangelists using film in their outreach efforts to lecturers developing popular courses on film and theology, the impact of this interdisciplinary approach is undeniable.
The volume is divided into three sections, with the heart of the book focusing on 13 papers that examine specific films or filmmakers. From popular Hollywood films like Terminator and The Piano to classics like Shane and Dead Poets Society, the essays offer insightful analyses that challenge readers to reconsider their interpretations. Notable contributions include Rhoads and Roberts’ exploration of domination and mutuality in The Piano and the Gospel of Mark, as well as Telford’s analysis of the portrayal of Christ in movies.
The book also includes essays that bridge the gap between film studies and theology, setting the stage for deeper exploration. David Jasper’s critical response to the main body of essays raises important questions about interpretation and analysis, while the final essay delves into the implications of postmodernism on the interplay of these two disciplines.
Overall, Marsh and Ortiz have provided a comprehensive and engaging guide to the fascinating world of theology and film studies. As interdisciplinary studies continue to evolve, this volume serves as a valuable resource for scholars, students, and anyone interested in the intersection of faith and cinema.